{"id":5699,"date":"2026-04-15T18:49:32","date_gmt":"2026-04-15T18:49:32","guid":{"rendered":"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/"},"modified":"2026-04-15T18:49:32","modified_gmt":"2026-04-15T18:49:32","slug":"vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion","status":"publish","type":"post","link":"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/","title":{"rendered":"Vivienne Westwood and George Cox Reunite for 75th Anniversary Creeper Collection, Celebrating Decades of Subcultural Rebellion"},"content":{"rendered":"<p>In a significant convergence of British fashion heritage and rebellious spirit, the iconic design house Vivienne Westwood has joined forces with esteemed English shoemaker George Cox to commemorate the 75th anniversary of the latter\u2019s legendary &quot;brother creeper.&quot; This limited-edition unisex footwear collection, dubbed Vivienne Westwood x George Cox, revives and reinterprets the thick-soled shoe that has long served as a defiant emblem for generations of youth subcultures, from Teddy Boys to punks and beyond. The collaboration marks a rekindling of a storied relationship that first ignited at the dawn of punk rock, promising to introduce these symbols of nonconformity to a new era while honoring their profound historical roots.<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_82_2 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#The_Rebirth_of_an_Icon_A_Collection_for_a_New_Generation\" >The Rebirth of an Icon: A Collection for a New Generation<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#A_Shared_Legacy_The_Genesis_of_Rebel_Footwear\" >A Shared Legacy: The Genesis of Rebel Footwear<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#George_Cox_Crafting_the_Foundations_of_Rebellion\" >George Cox: Crafting the Foundations of Rebellion<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#Vivienne_Westwood_The_Architect_of_Anarchy\" >Vivienne Westwood: The Architect of Anarchy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#The_Enduring_Symbolism_of_the_Creeper\" >The Enduring Symbolism of the Creeper<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#A_Chronology_of_Subcultural_Style_Key_Milestones\" >A Chronology of Subcultural Style: Key Milestones<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#Behind_the_Collaboration_Voices_from_the_Brands\" >Behind the Collaboration: Voices from the Brands<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#Implications_for_Contemporary_Fashion_and_Culture\" >Implications for Contemporary Fashion and Culture<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"http:\/\/fashionstudio.info\/index.php\/2026\/04\/15\/vivienne-westwood-and-george-cox-reunite-for-75th-anniversary-creeper-collection-celebrating-decades-of-subcultural-rebellion\/#The_Future_of_Heritage_and_Rebellion\" >The Future of Heritage and Rebellion<\/a><\/li><\/ul><\/nav><\/div>\n<h3><span class=\"ez-toc-section\" id=\"The_Rebirth_of_an_Icon_A_Collection_for_a_New_Generation\"><\/span>The Rebirth of an Icon: A Collection for a New Generation<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The Vivienne Westwood x George Cox collection features three distinct silhouettes, each meticulously &quot;tweaked for a new generation&quot; while retaining the fundamental essence of the original creeper. These updated designs are a thoughtful fusion of traditional aesthetics and contemporary sensibilities, reflecting both brands&#8217; enduring commitment to craftsmanship and subversive style. The collection showcases thick crepe soles, a hallmark of the creeper&#8217;s distinctive profile, paired with luxurious uppers. Options include striking brown snakeskin and classic two-tone black and white leather, all adorned with intricate double-row basketweave interlace details.<\/p>\n<p>Further elevating the designs, Vivienne Westwood&#8217;s signature aesthetic is subtly integrated through oversized straps, prominent buckle details, and the brand&#8217;s distinctive gold branding on the monk shoe styles. A spokesperson for Vivienne Westwood elaborated on the design philosophy, stating, &quot;We played with thick crepe soles, brown snakeskin or two-tone black and white leather uppers with double row basketweave interlace details. We added oversize strap, buckle details and our gold branding to the monk shoe style to bring them up to date with our current aesthetic. But they are essentially true to the original, defiant spirit of those who wore them before as a marker of self-expression and belonging.&quot; This sentiment underscores the collaboration&#8217;s intent: to preserve the authentic spirit of rebellion while offering a fresh interpretation.<\/p>\n<p>The collection is positioned at the premium end of the market, reflecting the quality of materials, the artisanal craftsmanship of George Cox, and the design prestige of Vivienne Westwood. Prices range from \u00a3450 for the derby style to \u00a3495 for the monk and pointy monk variations. These exclusive pieces are available for purchase through Vivienne Westwood&#8217;s global network of boutiques and via the brand&#8217;s official website, making them accessible to a dedicated international clientele eager to embrace this piece of subcultural history.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"A_Shared_Legacy_The_Genesis_of_Rebel_Footwear\"><\/span>A Shared Legacy: The Genesis of Rebel Footwear<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The current collaboration is not merely a one-off venture but a continuation of a profound historical connection that dates back over five decades. It was George Cox, the originator of the creeper in 1949, that initiated the conversation to rekindle their relationship for this significant anniversary. A Westwood spokesperson confirmed the mutual enthusiasm, remarking, &quot;We had wanted to work with them again for some time, so this was a great opportunity to do this. There is a long history between the two companies.&quot;<\/p>\n<p>This rich history began in the early 1970s, a pivotal period in British youth culture and fashion. George Cox brothel creepers first appeared in &quot;Let It Rock,&quot; the inaugural boutique opened by Vivienne Westwood and her then-partner Malcolm McLaren in 1971 on London&#8217;s iconic King\u2019s Road in Chelsea. McLaren himself had discovered and purchased a pair from Mr. Freedom, another trend-setting London boutique on the same legendary street. This acquisition proved to be a seminal moment, as the creeper quickly became an integral component of the nascent punk aesthetic that Westwood and McLaren were so instrumental in shaping.<\/p>\n<p>The Westwood spokesperson recounted, &quot;McLaren had bought a pair from Mr Freedom&#8230; and so they became part of the punk look. We continued to work with George Cox on other styles throughout the 1980s and early 1990s, but we haven\u2019t worked with them since then.&quot; This prolonged hiatus of several decades makes the current 75th-anniversary collaboration all the more significant, representing a full-circle moment for two entities deeply interwoven into the fabric of British counter-culture.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"George_Cox_Crafting_the_Foundations_of_Rebellion\"><\/span>George Cox: Crafting the Foundations of Rebellion<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>George Cox has been a cornerstone of British footwear manufacturing since its founding in 1908 in Northamptonshire, a region renowned for its shoemaking heritage. However, it was in 1949 that the brand cemented its place in cultural history with the creation of the &quot;brother creeper.&quot; Originally inspired by the thick-soled shoes worn by soldiers returning from World War II, who often adopted more casual, comfortable footwear, the creeper quickly found a home within post-war British youth subcultures.<\/p>\n<figure class=\"article-inline-figure\"><img decoding=\"async\" src=\"https:\/\/wwd.com\/wp-content\/uploads\/2026\/04\/251201_Vivienne_Westwood_Shot_16_0713-1.jpg?w=1000&#038;h=563&#038;crop=1\" alt=\"Vivienne Westwood Brings Back the Classic George Cox Brothel Creeper\" class=\"article-inline-img\" loading=\"lazy\" \/><\/figure>\n<p>Its initial adoption by the &quot;Teddy Boys&quot; of the 1950s\u2014a movement characterized by dandyish, Edwardian-inspired clothing mixed with American rock and roll influences\u2014established the creeper as a symbol of sartorial rebellion. The distinctive thick crepe sole, often referred to as a &quot;wedge&quot; or &quot;platform,&quot; provided a unique silhouette that stood out from conventional footwear, appealing to those who wished to visibly differentiate themselves. Throughout the 1960s, the creeper maintained its underground appeal, resurfacing with renewed vigor in the 1970s as punk rock exploded onto the scene. Its rugged construction, bold profile, and association with working-class youth resonated deeply with punk&#8217;s anti-establishment ethos, making it the unofficial footwear of a generation determined to shock and provoke.<\/p>\n<p>George Cox&#8217;s commitment to traditional craftsmanship and quality has allowed the creeper to endure as a fashion staple, transcending fleeting trends. The brand\u2019s ability to consistently produce durable, stylish footwear that resonates with successive generations of rebels and trendsetters speaks volumes about its legacy.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Vivienne_Westwood_The_Architect_of_Anarchy\"><\/span>Vivienne Westwood: The Architect of Anarchy<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Vivienne Westwood, often hailed as the &quot;Queen of Punk,&quot; was a revolutionary force in fashion whose influence extended far beyond clothing. Together with Malcolm McLaren, she transformed fashion into a potent tool for social and political commentary. Their series of boutiques on King&#8217;s Road\u2014&quot;Let It Rock&quot; (1971), &quot;SEX&quot; (1974), &quot;Seditionaries&quot; (1976), and eventually &quot;Worlds End&quot; (1980)\u2014were not merely retail spaces but cultural laboratories where fashion, music, and ideology converged.<\/p>\n<p>Westwood&#8217;s early designs, heavily influenced by fetish wear, historical costumes, and provocative slogans, challenged societal norms and directly informed the visual language of punk. Her aesthetic was raw, confrontational, and deeply political, reflecting the discontent and disillusionment of 1970s Britain. The adoption of George Cox creepers into her early collections was a deliberate choice, aligning with her vision of dressing individuals who dared to defy. The creeper, with its inherent nonconformity, perfectly complemented Westwood&#8217;s ripped t-shirts, bondage trousers, and safety-pinned garments, completing the iconic punk uniform.<\/p>\n<p>Even after her separation from McLaren and her subsequent evolution into a globally recognized luxury designer, Westwood&#8217;s commitment to activism, environmental causes, and challenging the status quo remained steadfast until her passing in 2022. Her brand continues to embody this spirit, making the renewed collaboration with George Cox a poignant tribute to her foundational contributions to fashion and counter-culture.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"The_Enduring_Symbolism_of_the_Creeper\"><\/span>The Enduring Symbolism of the Creeper<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The creeper\u2019s journey from military practicality to youth rebellion is a testament to its powerful symbolism. It represents more than just a shoe; it embodies a stance, a statement of individuality and belonging to a specific tribe. For Teddy Boys, it was a symbol of post-war affluence and a rejection of austerity. For punks, it was a tangible expression of rebellion against mainstream society, a deliberate choice of footwear that conveyed aggression, nonconformity, and an embrace of the underground.<\/p>\n<p>Its thick sole elevated the wearer, both literally and figuratively, providing a sense of gravitas and an imposing silhouette that commanded attention. The unique design, often featuring D-rings and interlace details, further distinguished it from conventional footwear. In an era where fashion was increasingly used as a means of identity formation and social commentary, the creeper became a potent signifier. As the Vivienne Westwood spokesperson articulated, it served as &quot;a marker of self-expression and belonging,&quot; a uniform for those who felt disenfranchised or simply sought to stand apart.<\/p>\n<p>In an age of fast fashion and fleeting trends, the enduring appeal of the creeper highlights a deeper human desire for authenticity and connection to cultural movements. Its ability to resurface in various forms, adopted by different subcultures over the decades, underscores its timeless appeal as an anti-establishment icon.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"A_Chronology_of_Subcultural_Style_Key_Milestones\"><\/span>A Chronology of Subcultural Style: Key Milestones<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li><strong>1908:<\/strong> George Cox Ltd. is founded in Northamptonshire, England, establishing itself as a reputable shoemaker.<\/li>\n<li><strong>1949:<\/strong> George Cox designs and produces the first &quot;brother creeper,&quot; inspired by post-war military footwear.<\/li>\n<li><strong>1950s:<\/strong> The creeper gains popularity among British &quot;Teddy Boys,&quot; becoming a key element of their distinctive style and symbolizing their embrace of rock and roll culture.<\/li>\n<li><strong>Early 1970s:<\/strong> Malcolm McLaren discovers George Cox creepers, bringing them into the orbit of his and Vivienne Westwood&#8217;s nascent fashion endeavors.<\/li>\n<li><strong>1971:<\/strong> Vivienne Westwood and Malcolm McLaren open their first boutique, &quot;Let It Rock,&quot; on King\u2019s Road, Chelsea, featuring George Cox creepers as part of their curated collection.<\/li>\n<li><strong>Mid-1970s:<\/strong> As punk rock emerges, the creeper becomes an essential component of the punk uniform, solidified by Westwood and McLaren&#8217;s &quot;SEX&quot; and &quot;Seditionaries&quot; boutiques.<\/li>\n<li><strong>1980s &#8211; Early 1990s:<\/strong> Vivienne Westwood continues to collaborate with George Cox on various footwear styles, integrating the creeper aesthetic into her evolving collections.<\/li>\n<li><strong>Mid-1990s &#8211; Early 2020s:<\/strong> A period of hiatus in direct collaboration between the two brands, though both continue their independent legacies.<\/li>\n<li><strong>2024:<\/strong> George Cox approaches Vivienne Westwood for a collaborative project to celebrate the 75th anniversary of the creeper, leading to the current limited-edition collection.<\/li>\n<\/ul>\n<h3><span class=\"ez-toc-section\" id=\"Behind_the_Collaboration_Voices_from_the_Brands\"><\/span>Behind the Collaboration: Voices from the Brands<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The decision to reunite for this anniversary collection was clearly a strategic and emotionally resonant one for both parties. The Westwood spokesperson&#8217;s comments about wanting to work together again &quot;for some time&quot; suggest a mutual respect and an acknowledgment of their intertwined histories. This timing, coinciding with the creeper&#8217;s 75th milestone, provided the perfect impetus.<\/p>\n<figure class=\"article-inline-figure\"><img decoding=\"async\" src=\"https:\/\/wwd.com\/wp-content\/uploads\/2026\/04\/251201_Vivienne_Westwood_Shot_05_0322-1.jpg?w=300\" alt=\"Vivienne Westwood Brings Back the Classic George Cox Brothel Creeper\" class=\"article-inline-img\" loading=\"lazy\" \/><\/figure>\n<p>From George Cox&#8217;s perspective, the importance of Vivienne Westwood&#8217;s legacy is immense. A statement from George Cox affirmed, &quot;Vivienne Westwood\u2019s imprint on British fashion and subculture is incomprehensibly vast. To reunite again on a project 50 years on is a testament to that legacy, and to the power to continue inspiring people today, and for aeons to come.&quot; This statement highlights the profound impact Westwood had, not just as a designer, but as a cultural icon whose influence continues to reverberate. It also speaks to the enduring relevance of the values she championed\u2014individualism, defiance, and artistic expression\u2014values that are intrinsically linked to the creeper itself.<\/p>\n<p>This collaboration, therefore, is more than just a product launch; it is a celebration of a shared heritage, a recognition of mutual influence, and a reaffirmation of the power of fashion to encapsulate and transmit cultural narratives across generations. It\u2019s a nod to the past while confidently stepping into the future.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Implications_for_Contemporary_Fashion_and_Culture\"><\/span>Implications for Contemporary Fashion and Culture<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>The Vivienne Westwood x George Cox collaboration holds several significant implications for the contemporary fashion landscape. Firstly, it underscores the enduring appeal and commercial viability of heritage collaborations, particularly those with authentic historical roots. In an industry often criticized for its rapid cycles and disposable trends, such partnerships offer a sense of gravitas and narrative depth that resonates with consumers seeking meaning and longevity in their purchases.<\/p>\n<p>Secondly, it highlights the continued relevance of punk and subcultural aesthetics in mainstream fashion. While punk may have originated as an anti-fashion movement, its visual language has been continually reinterpreted and assimilated by high fashion. This collaboration reintroduces a quintessential punk item, updated for modern sensibilities, demonstrating how rebellion can be repackaged and remain potent. It suggests a cyclical nature of style, where symbols of past defiance are perpetually rediscovered and reimagined by new generations.<\/p>\n<p>Furthermore, the premium pricing of the collection reflects a broader trend towards luxury artisanal goods. In a market saturated with mass-produced items, there is a growing appreciation for craftsmanship, unique design, and the story behind a product. The limited-edition nature further enhances its desirability, creating a sense of exclusivity and collector&#8217;s value.<\/p>\n<p>Finally, this reunion serves as a poignant reminder of Vivienne Westwood&#8217;s indelible legacy. Even after her passing, her brand continues to embody her spirit of innovation, activism, and boundary-pushing design. By collaborating with George Cox, the brand ensures that the foundational elements of Westwood&#8217;s revolutionary vision remain alive and continue to inspire, reinforcing her position as a perpetual icon of British fashion and counter-culture.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"The_Future_of_Heritage_and_Rebellion\"><\/span>The Future of Heritage and Rebellion<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>As the Vivienne Westwood x George Cox collection makes its debut, it stands as a powerful testament to the timeless appeal of subcultural fashion and the enduring impact of visionary designers. It\u2019s a narrative woven through leather and crepe, connecting the post-war austerity of the 1950s to the anarchic energy of the 1970s punk movement, and now to the discerning fashion consciousness of the 2020s. This collaboration is not merely an act of nostalgia; it is an active re-engagement with a legacy that continues to shape and challenge perceptions of style, identity, and rebellion. By honoring the past and subtly innovating for the present, both brands ensure that the defiant spirit of the creeper will continue to march on, inspiring self-expression for generations to come.<\/p>\n<!-- RatingBintangAjaib -->","protected":false},"excerpt":{"rendered":"<p>In a significant convergence of British fashion heritage and rebellious spirit, the iconic design house Vivienne Westwood has joined forces with esteemed English shoemaker George Cox to commemorate the 75th anniversary of the latter\u2019s legendary &quot;brother creeper.&quot; This limited-edition unisex footwear collection, dubbed Vivienne Westwood x George Cox, revives and reinterprets the thick-soled shoe that &hellip;<\/p>\n","protected":false},"author":20,"featured_media":5698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[110],"tags":[886,1624,299,1623,1625,1621,1627,1622,112,111,1626,113,1619,1620,114],"class_list":["post-5699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-streetwear-and-sneaker-culture","tag-anniversary","tag-celebrating","tag-collection","tag-creeper","tag-decades","tag-george","tag-rebellion","tag-reunite","tag-sneakers","tag-streetwear","tag-subcultural","tag-urban","tag-vivienne","tag-westwood","tag-youth"],"_links":{"self":[{"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/posts\/5699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/comments?post=5699"}],"version-history":[{"count":0,"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/posts\/5699\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/media\/5698"}],"wp:attachment":[{"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/media?parent=5699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/categories?post=5699"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/fashionstudio.info\/index.php\/wp-json\/wp\/v2\/tags?post=5699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}